The construction of this square began in 1729, by order of Phillip V, with the square primarily intended for bull fights. Today, it is seen as one of the most beautiful squares in Spain and in the whole of Europe. The space offers a paradoxical optical illusion. From the ground it appears to be a perfect quadrangle, but when seen from an aerial photo, the shape is irregular. The baroque façades of the building, which surround and define the square’s perimeter, seem perfectly symmetrical at first glance, but in reality, none of them are the same height. Entire books have been written about this square in Salamanca, and, to this day, it is considered the absolute model of Spanish squares.
Founded in 1354, in a thick forest, on the spot where two roads crossed next to waterways at the border between Moravia, Bohemia and Austria, Telč (or Teltsch in German), had the misfortune of experiencing a great fire two centuries later. The city was quickly rebuilt following the original plan, but with modifications which took into account the evolution of building styles and techniques. The Gothic castle was remade in the Renaissance style and lofts were built for the houses in the square. The houses received painted façades, which were later replaced in the 18th century with rococo and baroque ones. The medieval Gothic arch on the ground floor remained unchanged. It is continuous, uniting all the houses in the square. Two churches were built and a plague column was dedicated to Saint John Nepomuk, flanked by two fountains. Towards the end of the 18thcentury, time suddenly stopped in Telč, with the end of its age of glory and economic development. The city reached our times without further changes, unaffected by industrialisation and, through some miracle, without socialist blocks. It is straight out of a book of folk tales. The map of the city is practically synonymous with the triangular square. One step outside of it carries you to the yellow canola fields of the Bohemian hills.