In a side of the square lies the statue of Jan Žižka, a leader of the Hussite movement, one of the few military commanders in the history of the world to have never lost a battle. Today, his name is found in the square in Tábor. Situated on a hilltop, with the square right on the summit, and near the lake called Jordan, after the biblical river, the city was founded in the spring of 1420 as a centre of the Hussite revolutionary movement. Initially regular, it later had the tendency to develop organically, and the shape of the square points to this. The streets have been designed in a zigzag on purpose, so that the enemy would have a hard time reaching the centre. Although it is hard to see in the photograph, the square is sloped, which adds a new dimension to its space.
The urban structure is dictated by a geographical position, one of the most spectacular in a European city. Passau is situated on a spit of land, at the confluence between the Danube, the Inn and the Ilz, each with different coloured waters. The Domplatz lies at the highest point of the city. An advantage, for Passau is threatened by flooding every year. The square takes shape in 1150, and from 1155, due to the donation of the bishop Konrad von Babenberg, it becomes property of the cathedral, with the condition being that clerical houses should be built on its free sides. The 14 buildings which appear thus are affected by the great fires of 1662 and 1680, and then rebuilt by Italian architects in the late baroque style. In 1824, the statue of Emperor Maximilian I of Bavaria is placed in the square. Thus, for the first time in its history, the square becomes a public one and wins the status of official town square. It is redeveloped after 2013. The pavement disappears, replaced with fine gravel, pointing to past historical eras. The lighting is spectacular, one of the most accomplished in Europe. It focuses on the façade of the cathedral, leaving the square and the rest of the buildings in half-light. It is a subtle dark-light game, a game of the past, when cities did not have public lighting, with the future. The effect is that of a scene from a Baroque play
Hlavné námestie means Great Square in Slovak, but the early history of the city and of its central square is tied to German colonists, who arrive here at the middle of the 13th century, on the invitation of King Béla IV of Hungary. The city of Košice, called Kaschau in German, Kassa in Hungarian, Cașovia in old Romanian chronicles, existed at the crossroads of great trading routes linking the Baltic Sea to the Black Sea, Poland to Transylvania, the east to the south of Europe. The urban space is rigorously structured. Three parallel roads follow the north-south direction, and the middle one becomes progressively wider towards the place where it meets the main east-west artery, thus giving birth to special, lens shaped square. The lens shape is due to the building of the square in the space that used to function as a trade fair. The trade fair existed in a widening of the road, halfway between the castle and the abbey, before any other building. The shape is also due to uniting, through a typical process of a synoecism, two distinct settlements before the 13th century, whose border was the square of the present. In the middle, right at the intersection point of these two axes, the German colonists raised a parish church. Its place is taken in the 14th century by the Gothic cathedral of Saint Elisabeth, to this day the largest cathedral in Slovakia. The tower of Saint Urban, containing a seven tonne bell, and the chapel of Saint Michael, both Gothic and built in the 14th century, flank the cathedral, resulting in a unique and unitary whole. The theatre, a Neo-Baroque jewel, was finalised in 1899. The Gothic houses, the Renaissance and Baroque palaces, Art Nouveau buildings define the perimeter of the square. The contour of the old walls is clearly visible in the circular track of nearby streets. The lens shaped square from Košice is the largest and most coherent urban ensemble of its kind, typical for eastern Slovakia.
In 1278, count Berthold von Rabenswal receives from Emperor Rudolph I von Habsburg the right of ownership over the Hardegg land. He begins at once the building of a new settlement next to an existing village, called Rezze. He will follow a regular plan, in the style of Bohemian burgs, around a square that remains to this day among the largest in Austria, although the current population of the settlement numbers only 4000 people. The square is beautiful, with Italian inspired Renaissance palaces, fountains and a Baroque column of the Holy Trinity. In the middle stands the city hall, a former church, repurposed in 1569. But the bigger surprise lies beneath the pavement: under the square, under the entire town and even beyond lies a labyrinth of interconnected cellars, where the inhabitants have deposited local wine. It is over 20 km long, far greater than the network of streets above.